But, like the contemporary romcom, while the film might dismiss marriage as an antiquated idealism, it retains the heteronormative couple as the ultimate objective for its protagonists who are reunited in the concluding sequence, as mentioned above.
Six semaines après sa sortie, il devient le 2e plus grand succès du box office espagnol, derrière Avatar, puis enchaîne les prix aussi bien du public que des professionnels. This comedy is built up on the clash between some characters, from Andalusia and the Basque Country, that interact in the movie. Change ), You are commenting using your Twitter account. ». LEITZA The film is set in various spanish cities and villages in the 2013s.
With Clara Lago, Dani Rovira, Carmen Machi, Karra Elejalde. En avril 2014, il devient le film espagnol le plus vu en Espagne avec 6,6 millions de spectateurs et, avec 42 millions d'euros de recettes, le 2e plus grand succès du box office espagnol. It premiered in Spain on 20 November 2015. I thought I’d write a post to facilitate some of the ideas I’ve had as a consequence of the extremely thought-provoking questions raised by the reviewers. While the genre is renowned for its adherence to the narrative pattern that concludes with the happy ending, specifically the union of man and woman (Mortimer 2010: 4), contemporary works have shown a tendency to replace the romantic relationship with friendship (Deleyto 2003: 182). Contre l'avis de ses amis, Rafa la suit jusqu'au Pays basque. Change ). Post was not sent - check your email addresses! The heteronormative institution of marriage, the film appears to suggest, is, if not an unobtainable ideal, then most certainly an outmoded and redundant concept.
I completed the article in the summer of 2016 and have recently been asked to make some changes following peer review.
In the original version of the article, my argument followed two main strands: the first concerned the performativity of the marriage ceremony and of regional identity in the film while the second linked this to what I termed utopian unificatory politics. Il rapporte 77 millions de dollars en Espagne et un total de US $ 78,7 millions à travers le monde. Without wanting to produce a dichotomous or reductive reading, should we interpret this position on marriage positively or negatively?
Writing task to be completed after the film. We quickly learn that Amaia has been ditched by her Basque fiancé Antxon. The film provides an embittered critique of matrimony. The plot of the film, and indeed that of its sequel Ocho apellidos catalanes, hinge upon the prospective nuptials of protagonist Amaia (Figure 2).
How might the personal politics, epitomised by the unmarried couple, at the core of this film map onto national politics? Spanish Affair 2, originally titled as Ocho apellidos catalanes (English: Eight Catalan Surnames), is a Spanish comedy film directed by Emilio Martínez-Lázaro.It is the sequel to the successful 2014 film Ocho apellidos vascos (Spanish Affair), with the four main actors reprising their characters. If Ocho apellidos vascos has reached and satisfied such a wide audience in Spain, it is because it articulates a key message about regionalist and nationalist identifications in a post-ETA landscape. She is estranged from her father and has been for six years and her mother, who does not appear in the film, is apparently in a new relationship with a man from Seville. What I’m starting to realise, especially in the writing of this post, is that this relationship, and the associated political stance of the film, is more complex than I initially thought. registered in England (Company No 02017289) with its registered office at 26 Red Lion
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Amaia is jilted not once but twice: initially (and outwith the diegetic content of the film), prior to the wedding, by the unseen Antxon and subsequently, at the church altar, by Rafa posing as Antxon. Square Spanish A Level: El laberinto del fauno: GuÃa de estudio (Pan's Labyrinth: student guide). How does one negotiate this network of ideas surrounding the heteronormative couple then?
Though the couple do reach the altar, Rafa is ultimately unable to go through with the marriage. Early on in the film, we witness the protagonist attempting to return her custom-made wedding dress, willing to take a cut-price refund for the item.
Il remporte trois récompenses lors de la cérémonie des Premios Goya : ceux de meilleure actrice dans un second rôle pour Carmen Machi, de meilleur acteur dans un second rôle pour Karra Elejalde et de meilleur espoir masculin pour Dani Rovira, ainsi que le prix du public. Sorry, your blog cannot share posts by email. There is no mention made of Rafa’s parents. The title of my piece is ‘”marriage itself as theater”: The Performative Politics of Marriage in Ocho apellidos vascos. The traditional nuclear family, which typically revolves around the mother and father (or, in other words, the heteronormative married couple), is absent in Ocho apellidos vascos. Languages / Spanish / Advanced-level literature and film, Languages / Spanish / Media and leisure / TV and cinema. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account.
The article is to be included in a special journal issue on the film. My article details how marriage in Ocho apellidos vascos is a romantic ideal that, while sustained as the primary objective throughout the film, is ultimately unattainable and perhaps even unnecessary.
- It has broken a lot of records: a)
Rafa refuse de se marier avec Amaia. Enter your email address to follow this blog and receive notifications of new posts by email.
Ocho apellidos vascos réalise en ses dix premiers jours un revenu de € 4,4 millions. Escape Room La Casa de Bernarda Alba Federico GarcÃa Lorca Spanish Breakout game LCDBA A Level, Spanish A Level essay writing knowledge organiser. Le succès du film étant si important, Antena 3 décide de créer une série basée sur le long métrage intitulé Allí Abajo (Là-bas), qui relate un périple entre le nord et le sud de l'Espagne. Conditions. With its renunciation of marriage as the ultimate objective of the heterosexual couple, Ocho apellidos vascos conforms to the genre paradigm of the contemporary romantic comedy. Clara LagoDani RoviraCarmen MachiKarra Elejalde, Pour plus de détails, voir Fiche technique et Distribution.
With this in mind, to map the politics of the personal onto the national in Ocho apellidos vascos necessitates a nuanced interpretation of the relationship between the family and the nation. A range of resources to support teaching the film Ocho apellidos vascos. Un second volet, Ocho apellidos catalanes (en français : Huit noms de famille catalans), sort en novembre 2015, En 2016, un troisième volet est annoncé : Ocho apellidos 3. I’m aware that this a rather messy and untidy piece and what the writing of it has revealed is that I still need to spend some more time mulling over what I think about this film.
Amaia’s parents are separated. with Amaia travelling to Seville to declare her love for Rafa. Where was it shot? In its place are a series of affiliations forged through choice: Rafa and his friends, who appear to be a substitute for his family; Rafa and his “mother” Merche; even Merche and Amaia’s father Koldo, who will become romantically involved by the end of the film (and whose love will be rekindled in the sequel Ocho apellidos catalanes). « Huit noms de famille basques ») est un film espagnol réalisé par Emilio Martínez-Lázaro, sorti en 2014.
In this regard then, Ocho apellidos vascos offers no escape from the heteronormative structures and structures that dominate society, politics and culture. ( Log Out / Zumaia, Leitza, Zarautz and Sevilla are the ,most common ones. ( Log Out / Directed by Emilio Martínez Lázaro.
Une série de malentendus contraint Rafa à se faire passer pour un Basque pur-sang avec huit noms, et il devient de plus en plus empêtré dans son personnage pour arriver à ses fins. This ending thus sustains the heteronormative couple, unmarried though reunited, as the desired object.
Reluctant to reveal the truth to her estranged father Koldo, Amaia persuades sevillano one-night-stand Rafa, whom she meets on her no-longer-required hen do, to pose as Antxon. As a result, I’ve rewatched and been thinking and reading about the film again.
Rafael, a Sevillian who has never left Andalucia, decides to leave his homeland to follow Amaia, a Basque girl unlike other women whom he has ever known.
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How are we to understand the depiction of the unmarried couple and its function within familial relationships?
Une comédie sur l'identité basque fait rire toute l'Espagne. My initial reaction was that the film is proposing the utopian unification of the nation, in which similarities rather than differences are emphasised, by means of a romantic relationship, if not marriage, between two individuals from distinct autonomous regions within Spain. Après avoir passé la nuit chez Rafa, Amaia oublie son sac à main chez lui. Links to articles and in depend research to support understanding of the film. Change ), You are commenting using your Facebook account. With its renunciation of marriage as the ultimate objective of the heterosexual couple, Ocho apellidos vascos conforms to the genre paradigm of the contemporary romantic comedy. Certaines scènes ont été tournées dans le, https://fr.wikipedia.org/w/index.php?title=Ocho_apellidos_vascos&oldid=169949472, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Furthermore, there are no examples of happy marriages beyond the central coupling of the film (Figure 3).
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